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Minnesota, United States

23.8.17

The Wonderful World of Bobbins, Intarsia Knitting

The current (new) project on the needles is the Grand Tour Waistcoat (pattern designed by Di Gilpin) from the book Folk Style, by Mags Kandis, Interweave Press, 2007.  After counting the finished yardage and looking through my library, the vest stood out and having knitted a gauge swatch I knew it was the perfect pattern for the yarn.  Digging through the handspan stash I found the dark brown yarn, although I know it's wool, the type is a mystery.  

The yarns are two-ply, z-spun and s-plied, approximately 9 WPI (wraps per inch).  The gauge worked well with a 4.5 mm/US 7 knitting needle for the heavy worsted to Aran weight yarns.  (I used The Standard Yarn Weight System Handy Chart from Spinderella's Fiber Mill.)

Mocha Dream roving to yarn

Mocha Dream is made up of  ⅓ camel down, ⅓ Romeldale, and ⅓ alpaca
The dark brown mystery wool will be a nice contrast color
Each section of color has a separate bobbin of yarn, making the back look like organized chaos
So far, so good with the knitting.  I love the rustic appearance of the knitted fabric and the dark brown stands out nicely from the background.  




8.8.17

WIPUFOS

Yesterday I tackled the room to see how much spinning fiber is there and to organize yarn not in the cubbyholes...oh, and the WIPs and UFOs.  It took time and I got my 10,000 steps in easily without a walk outside.  While I like the room, it is small and fiber takes up room.  My drawing table faces the window, which is good, and my computer is next to it, but I find the bulky fiber stuff distracting at times.  The art supplies are stored in the closet, organized and out of sight while the fiber-related things are visible and bulky.  Hummm...it's a process and I'm working through the fiber and projects downsizing along the way.

Finishing the almostsixyear project was huge for me.  I started it August 3, 2011 and finished it July 31, 2017.  The yarn is Spud and Chloe Fine, a wool/silk blend with beautiful color and drape.

The photograph below shows the steeks with the red yarn marking exactly where to cut after securing the stitches on either side with machine sewing.  After securing and cutting the steeks, I was picking up the stitches for the band and yarn moved.  That is something one doesn't want to see when cutting the knitting.  Back to the sewing machine I went to re-zigzag and then the vest went in a bag in the corner of the room to be in time out.  I like to think the steeks were healing.  Three years and many projects later, I revisited the vest and finished the band around the fronts and neck and partially hand stitched the facing to the inside.  The only knitting left to do was for the simple armhole bands.  At that point other projects and activities took over, life happened, and just opening the bag and peeking in was enough to make me shudder.

Fast forward to summer 2017.  Determined to finish those pesky projects (the vest included) majorknitter's Ravelry group Finish or Frog It Friday members to finish projects during the month of July.  I managed two sweaters and this vest (just qualifying under the wire).  It was just the motivation that was needed to light a fire under my rear and get those needles busy.

2011
 Ta-da!  It turned out beautiful and I will be happy to wear it on the first day it's cool enough.  I named it Tangled because one of the hanks of yarn was just awful to wind.  It is Kasuri Chanchanko, from Folk Vests by Cheryl Oberle.  Kasuri is the Japanese form of ikat weaving, using resist dyeing before weaving the fabric.  The process gives a softened or blurred effect to the designs on the fabric. This is the fifth vest I made from the book making Folk Vests one of my favorite sources for vest patterns.



I popped a bit of color inside the facing.
The other sweaters I finished are Knitting Pure and Simple V-Neck Neck-Down Cardigan #994 in Debbie Bliss Cotton Denim DK and Tulgey Wood (so named because of the yarn color--Frabjous Fibers March Hare), which is really Acorn Trail minus the cables.  To find just the right buttons for these sweaters, I took a dive into the button stash and organized the buttons in the process.   I don't remember where I purchased the buttons for the blue sweater, but the three for the brown sweater are from Treadle Yard Goods in St. Paul, Minnesota.  

Rather than making buttonholes, I made button loops on the bind-off row.

The perfect cotton cardigan for cool days.  I had Mary snap a photo by my studio space at Anoka Fiber Works.


The wait is on for sweater weather!